Artists Wesam Al Asali, FRAUD and Nastassja Simensky come together to bring a critical framing to the concept of preservation. Embracing different methodologies and spanning diverse contexts – from the Syrian conflict, to pre and postindustrial England – their practices shed light on issues of accountability, agency, power and ownership.
Four Faces of Omarska: Open Video Sequence
An online screening and 'public montage' event structured around Milica Tomić's video work Four Faces of Omarska: Open Video Sequence.
Two new commissions in partnership with the Institute for Advanced Studies' 20/21 'Time' theme.
A series of commissions exploring risk and its social, ecological and economic relations.
Bodies of Knowledge
Three commissions using performance workshops and experimental documentary to explore the body as a site for the production and retention of knowledge.
This is Just What I Saw
Katarina Hruskova and Sarah Mills develop new work exploring the legacy of the educator Marian Richardson.
Artists Phoebe Collings-James, Richard Paul and Rachel Pimm undertake research in the University's Department of Materials.